Ray was once again blown away by the noise attack, but since he was able to cope with the noise's movement, he uses his force to hold his fist in a death-size handle, and then he lands on the stage re-establishing his posture.
　But it must have understood the noise. By the time Ray noticed it, the noise had already made time to kick the stage and chase him.
　a death‐size blow to it
　For some reason they are concentrating on fist attacks without using a magic sword. To solve the question of noise behavior, we will dissize the approaching noise.
　Fortunately, the distance between the noise and Ray was so wide that there was enough time to swing the death size.

"Powerslash!"

　The skill used is not the sharpness of the attack, but the ability to hit the opponent is increased.
　Above all, it's the noise that makes it so fast. Some judge that long-range attacks, including magic, are largely ineffective.
　In that case, it is judged that close-range attacks are still better because they are from close range.

(I had intended to make effective use of the magic that would have overwhelmed the noise.)

　With that thought, I was able to use my right arm alone.
　Avoid it by moving your body wide instead of taking it with your magic sword.
　...yes, from the noise's position, the best move was to catch a death-size blade with a magic sword, and it should have been able to move on without hesitation.
　Nevertheless, noise chose to avoid it rather than accept it with a magic sword.
　The behavior changes Ray's suspicions into conviction.
　In other words, noise avoids contact between death size and the magic sword.

(I don't know why, but if I can, I'll just take advantage of it!)

　Follow the thought that has passed through your mind and pull back your death size against the noise that comes in between. While making the move, his left fist, which is open, collides with the fist of noise jutting out at him.

"What!"

　It must have been unexpected for the noise to hit us head on. The clapped fist of noise and Ray's fist collide almost in close contact.
　The dull sound of meat and meat echoes around, and only noise and ray hear the sound of bone and bone colliding.
　After that fist crossing, it was not Ray, but noise that blew away under the pressure of his opponent's fist.
　In the sense of purely physical ability, Rei's face is slightly distorted with pain when he lands on the stage twisting himself in the air.

"Fly off!"

　the first damage done to noise
　Ray is sure to miss the opportunity, and soon releases a flying attack.
　But the only action noise took in the attack was to shake down the evil sword.
　There was no change when the sword was lifted up, but it was shaken down... just before the blade of the sword touched the sword.
　The blow of the sword of the swaying wind cuts off the flying blow that was easily approaching him.
　Then the halved attack flies off the stage and hits the ground, creating a sharp cut on the soil, but Ray spins a spell.
　In this state of distance, you have enough time for a long recitation.

(If a single shot is not enough, I'll use a wide range of attack magic to avoid it!)

　If a dot attack fails, it's a line. Ray decided that if the line attack didn't work, it would be an attack on the face attack.

'Flame, show yourself the destruction which is one of the things you ought to be, and you burn, extinguish, and extinguish everything. bring about great destruction, and with it be sacrificed for new regeneration.'

　Along with the recitation of the spell, a flame bullet is produced near the blade of death size.
　The figure looked just a ball of fire except Ray.
　But... the magic contained in it is almost the same as that of a dozen ordinary wizards.

"A blazing fire!"

　With the words, magic is invoked and released.
　Follow Ray's shaky death-size trajectory and head straight for noise.
　But... the noise that sees it concentrates its magical powers with the sword in its hand, rather than taking evasive action.
　The next moment, Ray's dense magical powers compressed the ball of fire to its limit, explodes on the spot. Nearly half of the stage is filled with explosives, centered on noisy areas.

"I don't think there's any... but there's still that wide range of..."

　Words from Ray's mouth were never spun to the end.
　There was a cut in the sight that could have been described as a fire hell at the end of my eyes.
　The noise of holding a magical sword covered with fire on the blade appeared almost intact, even though the body was slightly burnt.
　He wears something like a thin light that covers his whole body.

(What's that?)

　Ray muttered to himself about the noise, but he almost instinctively senses it. That... that's the secret of the intensity of the noise, the secret of that fast movement.
　But noise opens its mouth as if it doesn't matter what Ray thinks.

"I see. If an attack is avoided, it's just that you can't do it. In that sense it is a very simple method of attack, but perhaps it is because it is so magical."

　If you mutter and look uncomfortably at the flames still roaring in the background, you'll just step forward few steps.
　Watching the move, Ray doubts the noise's behavior.
　There is no sign of any particular damage, even if it is hit directly by magic. If that's the case, I don't think you have to look uncomfortable there.
　Think that far and understand instinctively. The light that covers that body has some limitations.

(I mean, is there a limit to how much you can use with that expressway? A normal wizard can use magic... wait.) Wait, wait, wait, wait. What did I just think? Magic power? Wear a light? I mean... by any chance...)

"Are you wearing magic?"

　The mouth of the noise forms an arc in the murmur that was inadvertently leaked.
　It's definitely a smile on the face alone, but it should never be called a smile. such a complex expression
　But if I dare to say that it is the expression on the face of a hungry carnivore who has found prey.

"Oh, do you understand?"

　Ray looks satisfied at the noise, which nods easily and without concealment.
　The art of wearing magic is not done with magic items, but purely with noise itself.
　Vihela's insteps and insteps come in terms of materializing magic with magic items. But noise did it without any help, purely by technology.
　Ray doesn't have the ability to sense magic, but as long as he's wearing light, he can see and feel it.
　...and under normal circumstances, it would be impossible to see through magic because it could not be used that way. Ray's insight into this was purely due to his own intuition.
　That's why Noise admits Ray's words so confidently.
　Even if you understand what this technology is like, you can't find a way to deal with it.
　If there was only one miscalculation of noise, it would have been Ray itself. 　
　It's true that Ray can't feel the magic of his opponent, and his magic skills are nowhere near as good as Zepyle, who has built up his body.
　But still... no, that's why Ray has knowledge from comics and novels that he's been reading in Japan.
　And unlike when traveling at high speed, it is not difficult to arrange and imitate the noise in your own way, as long as you see it directly with your own eyes.

"Like this!"

　radiate the magic that lies within one's body and let it stay. cast off magical powers with such an image

"What are you doing?"

　But at that moment, Ray's voice came back from right next to him.
　How many times has this been? The fists that wave at you take back the death size just before they hit you.A blow that would never have been made in time, given the concentration of attention to the radiation of magic. Nevertheless, noise fists were perceived by death size.
　As long as it is in such a situation, it is not possible to pass off the attack, and both the death size and the others are blown away.

"What?"

　But the noise of Ray's movement is so small and surprising.
　Perhaps since the start of this tournament... no, the first cry of surprise I've ever leaked in years.
　Yes, Ray was wearing a dark, visualized magical power that would have been his own unique skill until now.
　Of course, compared to the noise that has been honing technology for many years, there is even an audacious difference in quality.
　Noise is doing 10 magic tricks, but it's doing 5,000 or Noise is doing it with all its might.
　Nevertheless, the effect is less than 10 percent of the noise.
　It's an extremely aggressive action that can only be done with such an overwhelming amount of magic as Ray.
　But even so... it's true that he invoked the armour of the king, a skill that only noise could use.

"Hahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahaha!"

　Reinventing himself in the air and laughing involuntarily as he watched Ray land on the stage.

(Since when? It's so much fun...)

　I can't stop laughing at the noise, though I think so in my heart.
　...no, that's not even a laugh. It's certainly laughter that resonates around you, but what you can feel from it is even insane.
　At the very least, it's different from what ordinary people imagine when they hear laughter.
　As the voice echoes around him, the laughter stops instantly.
　And it was no wonder that the eyes of noise were turned to Ray.
　No, no one but Ray is already in sight of the noise.

"... Here we go,"

　muttering and reverberating noise
　Although this high-speed movement method was invisible to anyone other than Ray, Ray managed to keep up with the movement, even though he was not very good enough to use the same hegemonic armor as Noise.
　The performance is overwhelmingly lower than that of noise, but it was much better than when we were fighting without anything because the same skills were used.
　What was most fortunate for Ray was that the skill of this hegemonic armour was not magic but pure skill.
　Since Ray's magic attribute was only fire, it would have been impossible to use if this hegemonic armour had been magic rather than skill.
　Skills...that is, unique skills performed by non-magical warriors using magic.
　One of the reasons why Ray was able to use the armor of the hegemony without much trouble is that he had seen people using his skills several times before.
　The feeling of being able to move normally when time is stretched and the movement around you is slow. Ray maintains his death size with only his left hand, while his right hand moves into the Dragon Robe. The magic item Nevra bought just yesterday has its magic in her eyes.
　Up until now, the speed of movement between Ray and Noise was so different that it was never possible.
　Of course, Ray's armor is still far less powerful than noise. Still, the movement is very different compared to when he fought with noise without the armor of the hegemony.
　Yes, Ray has not been able to put magic through Nevra's eyes in the past battles, but he has not been able to do so.
　While confirming the approach of the noise, Nebra's eyes produce arrowheads, and throw them with a snap of his wrist.
　Zoku, which should have been made as an arrow, flies with its sharp point cutting through the air toward noise.
　It's not just one or two. The magic continued to flow through Nebra's eyes, and arrowheads were produced one after another and released.
　The barrage, which should be described as a machine gun with arrowheads, is easily played by the armour of the king that covers the noise body.

(Phew!)

　The scene strikes my tongue inward, and I judge that what is needed is not a series of low-powered attacks, but a powerful attack, and I reach out my left hand to death... and then the noise disappears from my view again.
　... yes, though I am not very good at it, from Ray's perspective in the armour of the hegemony.
　And a voice you can hear.

I praise you for wearing the armor of the hegemony. But, you know, you're too low-skilled."

　a sense of crisis at the moment one hears the voice Then, as if to escape, Ray gathered the armour of the hegemony to his feet in an almost instinctive movement, and from there... he suddenly lost consciousness as he tried to get away from the noise that was near him.