478 Episode 0478



The Rays were quick to act in front of the living armour who appeared in front of them.

"Seto, ask for a check at Wind Arrow!"
"Roll-rolling.

 Set to use a window arrow that has just improved.
 Seven wind arrows appear behind a screaming set, and the next moment they are fired at the living armour.

(I see. There were up to five trains at Level 1. Is the number of trains increasing? The speed of the arrow is increasing, and the power is...)

 Under Ray's inward murmuring gaze, Wind Arrow vanishes with a small scratch on his armour.

(I don't know if it's going up in terms of power. However, considering the increasing number of trains and the increasing speed, it is a big check. ...well...

 Ray was analyzing Wind Arrow, but next time Seto screams, the living armour swings like a shock.
 Shock eye. It's a skill that you've just learned, and it's not powerful, but can be activated without a time lag.

(Wind Arrow is superior in terms of setting up a barrage, but the magic eye of shock is superior in terms of standing alone.) though both are too weak to be used as checks and balances.)

 Living Armour lost his balance a little due to the power of the magical eye of shock, but immediately strikes Paul Ax's stonghold on the ground to balance himself and walks forward again.
 For Living Armour, the only way to attack was Paul Ax, so there was no choice but to close the gap.

"Glu?"

 A set that bends its head and asks, "What are you going forward.
 It was clear that he could easily defeat the living armour and Paul Ax if he continued to attack from a long distance, but he judged that this would cause considerable damage to the armour and Paul Ax.

"Yes, sir, there is a magical stone in it, just like Skeleton, and if you take it out, it won't move any more... All right, I'll do it." I was able to confirm the performance of Seto's window Arrow. Seto will wait until I call him, and Elena will watch out for another monster from the left road, just in case."

 At Ray's words, Elena nods with a connected sword.
 Originally, Elena herself knew it would be good to launch an attack on the living armour, but she knew what Ray was trying to do and decided that if she touched it, it would only get in the way.
 Passing by, Ray immediately thanked Elena for understanding her intentions and took a death-size hand to narrow her distance from the living armour.
 Unlike the skeleton, where you can see the magic stone at a glance due to the bare bones, it is difficult for a living armour to aim at because of the magic stone inside its armor.
 If you're an ordinary monster, it's not difficult to locate the magical stone because it's embedded in the heart. ...however, there are many monsters with hearts other than the left breast.

`Ah, oh, oh, oh, oh, oh, oh, oh, oh,

 First of all, as if it were a distraction, they aim at the living armour's neck and wield their magical powers.
 It was intended that if the helmet was cut off, he could put his hand through the neck and take out the magic stone.

「……」

 Maybe he didn't understand that, but still, Living Armour wields an instantaneous blow at his Paul Ax to prevent a death-size blow.
 But...

"It's sweet!"

 Although the power of the spirit attached to the living armour makes it almost like a magic item, it is nothing more than that.
 Ray felt a little vain, but in an instant he gave up on Paul Ax.
 the death size created by Ray's enormous magical powers created by witchcraft and Ray's own enormous magical powers.  
 The quality of the weapon and the skill of the man who manipulates it were incomparably large to accept the combined blow.
 A sharp metallic sound echoes around.
 Originally, the sound of Paul Ax cutting off the handle and the sound of cutting off the neck without slowing down the power or speed should have been heard, but due to the high speed of the death size, the sound reverberated to the surrounding area.
 But that doesn't stop Living Armour from moving.
 He tries to club the severed handle of Paul Ax against Ray.
 Since the living armour was originally possessed by the spirit of the dead, the amputation of the helmet on the head was probably not a fatal blow.

"I know!"

 Even after cutting off the head, without stopping any movement at all, he receives a blow of Paul Ax's handle by a death-size stonemate while screaming sharply, jumps up as it is and blows it out of the hands of the living armour, and then forcibly rotates his wrist without stopping movement to scoop up the feet of the living armour by the stonemate.
 Ray screams as he sees the living armour fall on the cobble with a shrill metallic sound.

"Set!"
"Gurgling!"

 Reflectively aware of what Ray's cry means, Seto kicks on the cobble with a quick motion and approaches the fallen Living Armour and places his paws near his chest.
 At that time, he was careful not to damage the armor with his nails because he knew it was rather expensive in the words of Ray before the battle.
 At any rate, living armour, unable to get up due to Seto's energy, still rages to break through the situation without saying a word.
 Or if it were Paul Ax, which was owned by Living Armour, there would still have been a means of attack, but as long as it was blown away by death size, there was no resistance.
 Still, he tried to remove Seto's forefoot, which he had been unable to move by holding himself back, by making a metallic sound by moving his arms and legs wide, but it was impossible for Living Armour to do so because of the strength of the bracelet attached to his left foot and the strength of the bracelet as a grip as a glyphon.

"All right, set. Hold it a little more."

 Rey tells him so and reaches into his body from where Living Armour's helmet is blown away and hollowed out.
 After searching the inside of the body of the living armour for a few seconds, he succeeded in catching the magical stone that was moving in the body, and pulled his hand out of the neck.
 The moment the magical stone comes out of the armor, the living armour stops moving like a puppet with a thread cut, and the limbs he was scratching to escape from the set fall on the stone pavement making a shrill metallic sound, while the body, hands, and feet are disconnected and scattered around.

"Set, I'm saved. . . . . . . . . . . . . . . . . . . . "

 When Ray sees the armor completely dead, he throws the magical stone in his hand into Seto.

"Grunt!"

 If you take it with a stick and swallow it as it is...

[Set has mastered the skills of Power Crash Lv.1]

 hear an announcement in one's mind

"Oh, have you mastered your skills twice in a row?" Are you lucky, in a good place, in a good timing? I'm sure I'll be glad, anyway."
"Oh, it looks like you've acquired a new skill. What skills have you acquired?"
"Power crash. Well, it's not that strange to think that it's a skill I learned from living armour."
"Grull!"

 At Rey's words, Seto sings with a happy voice.
 I understood that skills that could make better use of my physical abilities would be useful, and unlike flashy skills, skills that I could normally use in front of strangers were very welcome. But the only thing that was strange.

"Glu?"

 He had just absorbed Desert Lizzardman's magic stone and raised the level of Wind Arrow, and then he had absorbed the Living Armour's magic stone. When you think about it, it's no wonder that you feel that you're the only one who's being given preferential treatment.
 Noticing Seto's gaze with round eyes, Ray gently caresses his head.

"Don't worry, as I said, we've already secured another Desert Lizardman magic stone. And even living armour may encounter it again, as long as it's an undead hierarchy."
"Gurululululululululululululululululul

 It's not that I really understand, but that Ray says, so I'm reluctant to do so.
 With a small smile on his face, he puts the armour he used to be a living armour lying on the ground, including his helmet, in a mistling.

"Well, let's go briskly. If you stay in this hierarchy for a long time, your body will be smelt my body with odors."
"Squeak!"

 Yero, floating far away from the battle, cries out, "Let's go!"

"Huh, I'm not very happy to be here forever, as Ray and Yero say. Now let's move on."Elena also smiles a little and heads down the right path with stairs, as shown on the map.
 Yero riding the avant‐garde with Seto on his back. The rear guard continues to march in a line of Ray and Elena, and after half an hour's walk, they reach the fork again.

"Again... Elena."
"The middle road... but before that,"
"Grull".

 Elena, who knew what she was being asked without being told everything, turns her gaze to the right as if she had noticed something.
 From there, you can hear the sound of battle.
 That's all the Ray's need not worry about, but it's a different story if the sound of battle is getting closer and closer and closer.

"What do you do? Judging from the way the sound of battle is approaching, it's probably where adventurers are running away after encountering monsters that they can'
"...well..."

 Ray hesitates for a few seconds over Elena's words, but quickly comes to a conclusion.

"I'll pick you up here. for we may go down the middle road here, and these fleeing men may come to the passage we are going to go."

 If you think about it normally, you'll run straight to a small room with wizards and stairs. However, we don't know what will happen under unusual circumstances.
 The two men and one prepare for the attack, nodding to Ray's words and a short distance from the right aisle.
 And Yero goes into the back air, unobstructed as usual.
 Looking back at Yero, who is fluttering back, Ray thinks about how to intercept the enemy who appears.

(Extensive magic? … No, is that possible to involve adventurers who are fleeing over here? Then it's a magic that doesn't have much range of effects.

"Fire, burn the enemy according to my will."

 As a result, I chose the simplest spell and the shortest spell.
 At the same time as the spell is cast, a block of flame, about 30 cm, appears on a death-size blade.
 Next to Ray, Elena was also using the magic of the wind to create a small tornado.
 When the spell is over and only spells are invoked, four adventurers, with multiple outcry and metallic sounds, run out of the aisle on the right where Rey and his men are looking.
 It was a run that could be called a runaway run.
 Of the four adventurers, one of them is running with his left arm drawn by another, with no point ahead of his right shoulder and blood on the cobble.
 When one arm is gone, the balance is out of balance, and I guess he's covering the difficulty of running with his hand pulled out of course.
 The two running behind them desperately attacked the opponent who was chasing them, wielding swords and spears, and immediately ran to gain distance.
 Following them is a monster, Skeleton, whose body is composed of white bones.

(Is an adventurer who came to this class like Skeleton going to run away?)

 Ray muttered in his heart, keeping the structure intact so that he could release magic at any time, but when he hears countless sounds, he is convinced that he was done by force of numbers.
 In fact, the number of skeletons emerging from the aisle following four adventurers grew gradually, and when they exceeded 30, both Ray and Elena were suspicious.
 At any rate, judging that the situation is dangerous and the timing couldn't be better, Ray glances at Seto.

"Roll-rolling.

 As Set calls out to attract the attention of the four fleeing men, the four adventurers look hopeless at Set, and the next moment they split, baffled by the sight of Ray and Elena trying to invoke magic, whether they understand what they are trying to do or not.

"The Fireballs

 Watching it, Ray magically invokes a 30cm fireball and hits the skeleton who has been chasing four adventurers, burning it, and at the same time the blade of the wind released by Elena cuts the skeleton out of the range of the fireball.
 Seconds later, only carbonized and severed bones remained there.